November 16, 2010 7:00 pm
Free and open to the public
Parking available at the Bryan Center Garage
Free Drinks and Popcorn
The film will be followed by a panel discussion including director Anne Makepeace and Kenan Institute for Ethics associate director Suzanne Shanahan.
Rain in a Dry Land (2006, 82 minutes), Working Films Award, 2006: After more than a decade in a refugee camp in Kenya, to which they had fled to escape the civil wars tearing apart the Horn of Africa, two Somali Bantu families are stunned to learn in early 2004 that they will finally be allowed to immigrate to America. The resettlement plan began under Clinton in 1999, was interrupted by September 11th, and began again late in 2003. The families are, in a Somali Bantu expression, grateful recipients of bish-bish, which translates literally as “splash-splash,” indicating the first rains after a long drought (Rain in a Dry Land) and, by extension, resettlement in America. In a world teeming with desperate refugees, where barren camps like the U.N.-supported Kakuma in Kenya become permanent rather than temporary fixtures on troubled borders, a ticket to the United States may be the ultimate bish-bish.
Rain in a Dry Land chronicles, in their own poetic words, the first 18 months of the American lives of Arbai Barre Abdi and her children and Aden Edow and Madina Ali Yunye and their children. Beginning with “cultural orientation” classes in Kenya, where they are introduced to such novelties as electric appliances and the prospect of living in high-rise apartment buildings, the film follows the Muslim families on divergent yet parallel paths as they learn that the streets in America are definitely not paved with gold, especially for poor immigrants. The families’ sponsorsÑJewish Family Services in Springfield, Massachusetts, and World Relief in Atlanta, have pledged six months of support, which gives the families a daunting learning curve to take themselves from the 19th century to the 21st.
The film measures the distance from an African refugee camp to an American city and asks what it means to be a refugee in today’s “global village,” providing answers in the stories of two families whose response to 21st-century culture shock presents an uncommon portrait of human persistence in the face of social disorder and change.
Cosponsored by the Kenan Institute for Ethics.
2010-2011 Rights! Camera! Action! Human Rights Film Screening Series
This film series features documentaries about human rights themes that were award winners at the annual Full Frame Documentary Film Festival. Exploring issues as diverse as the justice system, immigration, refugees and rights and the environment, these exceptional works of art move us even as they pose tough questions about whose rights are protected and why. The films are archived at the Duke Library and are part of a rich and expanding collection of human rights materials. The film series is sponsored by the Library’s Archives for Human Rights, the Duke Human Rights Center, the Franklin Humanities Institute and the Program in Arts of the Moving Image (AMI).